From ESPN Front Row by Dan Quinn
Β· Set-up time: 15 minutes.
Β· Break-down time: 7 minutes, quietly done during First Take (10 a.m.-Noon, ESPN2) in the adjacent studio βAs long as weβre quiet and donβt drop them,β Williams says.
Β· Always front left-center: Mike & Mike bobble head.
Β· Bobble heads had been stored in a Tupperware until Nolan urged for the larger, stronger black Pelican case.
Β· Chipped βheads donβt make air, or are relegated to the back β until repaired with glue.
Β· Flip Saunders brought his own bobble head to the set β conveniently taping over the sponsorβs name in compliance with show rules.
Β· The University of Houston sent in a Jim Nantz doll.
Β· Frank Sinatra and President Obama are represented.
Β· Next βhead to be unveiled: a New Orleans Saint, received from Big Easy painter Frenchy during this yearβs Super Bowl.
The baubles transform the barren desktop into a decorative tribute to athletes, entertainers, team mascots, political leaders and even super heroes via pop-culture collectibles: bobbleheads.
In May 2007, when Mike Golic and Mike Greenberg took their show from the cozy confines of an ESPN Radio studio to the expansive HD TV studio, producer Liam Chapmanrecalled, βWe felt the larger desk looked empty, so we took some bobbleheads from peopleβs cubicles and offices and put them out, and it grew from there.β
βItβ also created an additional job for staffers who now loosen up for their regular camera-operating duties by unpacking and arranging the showβs signature bobbleheads, about 75 of them.
While it may seem a tedious task, itβs also a memorable one for those who have handled it (see time-lapse above).
βWe put them out randomly but cautiously,β said associate operator Mo Williams.
There is a method to the madness β and homers do have a hidden head hierarchy.
βAs a Phillies fan, I try to put Chase Utley in the forefront,β says lead studio operator Dan Filipone. βAnd if we have an in-studio guest like Herm Edwards or Mark Schlereth, Iβll try to put those bobbleheads in front of the guest position.
βI also like our Buzz and Woody dolls from βToy Storyβ,β he said. βThey are actually solar powered so I try to get them in the best lighting so they bobble throughout the show.β
Williams explains the dolls on either end of the desk are positioned at angles for the cameras, and, pointing to Mickey Mouse, says, βOf course we have the boss in front β heβs never way in the back!β
Some fans donβt understand the time and care involved in proper bobblehead placing.
Studio operator Amanda Nolan, who is also an ESPN friends and family tour director said, βWhen I tell guests the bobbleheads are set up and put away every day, theyβre surprised because there are so many. Most times they donβt believe meβ.
Others are overtly aware of the dolls.
Thereβs the Oregon fan who has provided a paddle of ducks by sending a new one each time he notices the rose has broken off from his mascotβs hand. Then there were the countless Tweeters and e-mailers earlier this month who missed the collectibles when the set was bobblehead-less due to preparation for a promo shoot that day.